![]() ![]() The beauty of this video player is that you won't need any additional codecs, plugins, or anything. The starting note is different, but the intervals between the notes of the mode remain the same.Do you want an ideal audio and video layer that can play any media file? Try Cisdem and you will be able to even play 5K and Full HD 1080 p videos. However, you can actually play the Phrygian Mode starting on any note of the keyboard as long as you use the appropriate intervals from the mode.įor example, here is the Phrygian Mode played starting on G: This means that we can transpose the modes and play them starting on any note as long as we keep the intervals between the notes the same.įor example, the easiest way to learn the Phyrgian mode is by playing the white notes starting on E as shown below: Whilst it is helpful to learn about modes by using the white notes on a keyboard it is really important to understand that the difference in modes is not based on what white note it starts on, but is based on the intervals of the scale. The above diagram shows the full list of fourteen music modes (seven authentic modes and seven plagal modes).įinal – this is the note (shaded in red on the diagram) on which the melody usually ends and is the note upon which the mode is based.Ĭofinal – this note (shaded in green) is an alternative resting point of the melody. ![]() Plagal modes derive their individual names from the authentic mode to which they are related – just add the word “hypo” (meaning “under”) to the start of the authentic mode and you get the name of the plagal mode.įor example, the Hypodorian mode is linked to the Dorian mode.Īs with authentic modes, there were originally 4 plagal modes in the 5th century, but 2 more were added by Glareanus and a 7th by the end of the 18th century. Plagal Modesĭuring the papacy of Pope Gregory four more modes were added called Plagal modes.Įach plagal mode is developed from a related authentic mode. However, it is worth knowing about some other modes as well. When studying the music theory of modes and their use in music we tend to focus on the seven authentic modes outlined above – the six authentic modes highlighted by Glareanus with the addition of a seventh mode, the Locrian mode. Subsequently, another authentic mode (Locrian mode) was added towards the end of the 18th century, bringing the total to seven authentic modes: Henricus Glareanus, a Swiss monk produced a book called Dodecachordan in 1547 in which he highlighted the subsequent addition of two more authentic modes (Aeolian and Ionian). Note how the authentic modes are all based on the odd numbers of the system (I, III, V, VII). The use of modes developed and by the 5th century four modes were adopted, called the Authentic Modes. Have a listen to this piece of plainchant called Ubi Caritas, which is based upon a mode: The early Christian Church were heavily influenced by the Greeks and adopted modes as a basis for its music. ![]() The Development of a System of Music Modes The “feel” of the Ionian Mode is quite “happy” and “positive”. The pattern of intervals between notes for the Ionian Mode is Tone, Tone, Semitone, Tone, Tone, Tone, Semitone.Ĭan you also hear how the sound of the Ionian Mode is very different to the Dorian mode? Notice how the spacing of the semitones/tones is different to the Dorian. (this pattern of notes is what we would now describe in contemporary music as a C major scale, but it was originally a mode). Now, if we play a scale using the white notes, but this time starting on C and ending on the C above it then we are playing the Ionian Mode. ![]() The Dorian mode has its own distinctive sound – it is very “Celtic” and “folky” in its feel. The pattern of intervals between notes for the Dorian Mode is Tone, Tone, Tone, Tone, Tone, Semitone, Tone. If we play a “scale” using all the white notes starting and ending on the note D then we are actually playing the Dorian mode.Īs we know with scales there is a set pattern of tone/semitone interval spacing between the notes. Modes can be understood with reference to the white notes on a piano, which broadly correspond to the scale calculated scientifically in the 4th century BC by Pythagoras and the Greek thinkers of his time. They originated in ancient Greece where modes were named after different regions – this is why all the modes still have Greek names to this day.Įssentially a music mode is a scale and each mode has its own distinctive sound. Music Modes were around long before the major and minor “keys” were developed. The term modes in music describes the scales which dominated European music for over 1,000 years up until 1500 and continued to be heavily influential for another 100 years after that. ![]()
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